Reuben Kigame Asema Anaupenda Wimbo wa NEREA wa Saut Soul

Tunaomba uwepo wako Uende nasi, Pokea Sifa, Sina Mungu Mwingine, hizi ni baadhi ya kazi mashuhuri za Mwanamuziki nguli kutoka Kenya Reuben Kigame.Nguli huyu amesema huwa hazifurahii nyimbo nyingi za kundi la Saut Soul na wala wala hazifuatilii, lakini nyimbo ya Nerea ni nyimbo ya tofauti inayogusa na itaendelea kuwa ndani ya mioyo ya wakenya kwa muda mrefu.

Katika moja ya mazungumzo yake Kigame ameweka bayana mapenzi yake kwa nyimbo hiyo, Saut sol ambao kwa pamoja wametoa nyimbo ya Gospel Pia iitwayo KULIKO JANA waliomshirikisha muimbaji wa injili Aaron Limbui.
Katika mazungumzo hayo Kigame amesema mengi na hapa Hosanna Kwana inakuletea hoja za Reuben Kigame juu ya kundi hilo na wimbo huo

“I do not enjoy most of their other songs, and, honestly speaking, I don’t even care for them. But, “Nerea” is a Classic and, in my estimation, it will be in the hearts and minds of Kenyans and music analysts for a long time. You know a good song when you hear one, and its latent legacy drives it on. I must admit that the song even made me drop a tear or two.

So why is “Nerea” by Sauti Sol a special song?

First and foremost, I think it is a brave effort by Kenyans to say something nobody really wants to say; certainly not aloud. It is a candid slap against the practice of Abortion.

The boys do not wallow in euphemistic jargon as civil rights groups do. They don’t call Abortion “a choice”, “flashing” or “reproductive health right.

They use the Swahili word “mimba” whose express meaning no Swahili speaker can miss. “I beseech you, Nerea, not to remove my conception/pregnancy,” the song translates.

POTENCY OF SONG
But it is that particular line that carries the potency of the song. That line will never die and that line will never be misunderstood. In fact, the life of the song is carried in that line. “Don’t remove my pregnancy (sic)!”

The power of this line is a man’s ownership of responsibility in a pregnancy. It is a powerful line in a world where too many a man runs away from social responsibility when pregnancy occurs. “Don’t remove my pregnancy (sic)” is a powerful idiom of love and commitment.

The man is saying, “I am with you and that child is mine.” This is totally counterculture. In our world that is soaked in errotomania, this line may not sell, and indeed, it takes media houses that are proculture for this song to die.

It is the media that may try to kill it, because it might mean someone selling less condoms and that may be bad for media business. It’s exactly the same reason media do not play many songs advising people not to drink, because they might lose alcohol advertising revenues.

It is noble for Sauti Sol to put that line out there, because it will play its role in inculcating in youth the blessing of responsibility when a pregnancy occurs.

Sauti Sol goes a step farther and repeatedly illustrates through the verses of the song that if Nerea does not abort this child, the child might be Barack Obama, Nelson Mandela, Miriam Makeba the great singer, environmentalist Wangari Maathai, Wanyama the soccer player or David Rudisha the athlete, Lupita Nyong’o who brought Kenya the glory of an Oscar, Odinga the politician, Rwanda’s president Kagame, Tom Mboya, Jomo Kenyatta the freedom fighter who brought independence to Kenya, maybe an angel in disguise among us, or perhaps Sauti Sol who brings us good melodies!

The point is home: We are alive because we were not aborted. Every leader or professional you see in the place of responsibility is there because their mother allowed them to live.”

There is another reason why this is a big song. At a time when many young people are content with going to a music producer who will give them some Fruity Loops or Ridims and then they sing a line or two over and over again and call it a song, or endlessly fight for celebrity status, awards and airplay, Sauti Sol is all out with excellent acoustic guitar lines, great percussions, bass lines, a great wash of string pads, and, certainly a great melody.

The harmonies are tight and the adlibs tantalizing. The Afro-fusion in the beat is moving and danceable, a good contrast to the serious message. 

What shall one say of the Lead guitar parts just before the Bridge, whose captivating line at the end of the phrase is harmonized on the higher range to give it real presence, diversity and colour as it crescendos into the Bridge!

And Nerea as a choice of name to represent the average Kenyan girl is not just memorable. It is matched by a creative usage of rhyme on the word “Nitamlea…”. This is quite poetic.

But don’t stop just yet! Sauti Sol fashions a melody that is easy to sing and easy to repeat. It is couched in African passion and “soulishness.” It is an intense melody. It is tearful and entreating. It is sweetly sad. You cannot avoid the melody.

And then they pull out a lyrical trigger: “When God brings a child into the world, He ensures He brings the child’s plate as well!”